MARK KRAM, JR. BOOKS
GREAT MEN DIE TWICE: The Selected Works of Mark Kram Edited by Mark Kram, Jr
On a writing staff composed of a galaxy of stars that included Frank Deford, Dan Jenkins and other major talents, Mark Kram would be remembered in his New York Times obituary in June 2002 as one of “the most lyrical writers” to appear in the pages of Sports Illustrated in the 1960s and 1970s. LINK: https://www.nytimes.com/2002/06/15/sports/mark-kram-69-sportswriter-known-for-his-boxing-coverage.html . With the eye of a poet, Kram distinguished himself on the boxing beat at SI, particularly with his coverage of the pitched rivalry between Muhammad Ali and Joe Frazier. At SI and years later at Esquire and elsewhere, he contributed extensive sharply observed long-form work highlighted by profiles of Negro League baseball legend Cool Papa Bell, soccer star George Best and Olympic hurdler Edwin Moses. Great Men Die Twice selects his best work with a moving introduction by his son, Mark Kram Jr., the PEN/ESPN Award-winning author of Like Any Normal Day.
“Mark Kram’s best pieces can only be described as literature. His elevation of the American vernacular and jaundiced native lyricism combined to produce essays will endure as long as anyone cares to read about sports.” – Thomas McGuane
KINDLE SINGLE: Eddie and the Gun Girl
Eddie and the Gun Girl is the true story of the shooting of Philadelphia Phillies All-Star first baseman Eddie Waitkus by female admirer Ruth Steinhagen. While such incidents would become commonplace in ensuing years, as stars of every persuasion would surround themselves with bodyguards and live in increasing fear of unannounced assailants, the attack on June 14, 1949 at the elegant Edgewater Beach Hotel in Chicago would become ground zero in the age of the obsessed fan. In a superbly sculpted tale of insanity and surpassing human resolve that plays on the edge of myth, Mark Kram, Jr. walks us back to an event that held America spellbound would be fictionalized by Bernard Malamud in his classic baseball yarn, The Natural, which would be later adapted for the 1984 film starring Robert Redford.
“Kram does a nifty job of probing psyches and evoking period atmosphere. All told, it’s as snappily turned as a 6-4-3 double play.” – Dick Friedman, ThinReads